The problem with blogging is that people are confusing news, which needs to be up to date, with criticism, which needs to be considered. There’s a reason that Nah Right contains no analysis outside of “I would quite like to lovingly tongue Cam’ron’s ballsack”, or that Pitchfork has always kept its news and reviews sections like two dicks with no bitch. With that in mind, we’ve had a week to consider Sean Carter’s return to the recording sphere now, and I’ve comprised the following treatise on what this means to both rap, and music in general, as a whole. I hope you enjoy it: (more…)
